2019
Paula Fayos-Perez: Goya in French Collections
Melissa Gustin: Neoclassical sculpture and the encountered antique
Chiara Lo Giudice: Jacopo Amigoni at the Spanish Court (1747–1752)
Francesco Lofano: The correspondence and inventories of Francesco de Mura
Cristina S. Martinez: Jane Hogarth printseller
Valeria Paruzzo: The market for paintings in Venice during the Austrian occupation (1815–1866)
Rosie Razzall: Paul Sandby’s collection
Eleonora Nanà Scianna: The Grandi archive and collection of prints and drawings
Zdeñka Michalová: Gerhard Jansen’s ‘Baptism of the Eunuch’ in the collection of Karl Eusebius von Lichtenstein (The Burlington Magazine)
2018
Natalia Budanova and Natalia Murray: The gallery owners Nadezhda Dobychina and Klavida Mikhailova
Daniele Galleni: The Coppedè atelier in Georgia
Belinda Granata: The Peretti Montalto paintings collection in the palazzo di San Lorenzo in Lucina
Ludovic Jouvet: Collecting portrait medals in 17th and 18th century England
Erika Loic: The Ripoll and Roha bibles (The Burlington Magazine)
Emily Pegues: The tomb of Mary of Burgundy in Bruges
Catherine Phillips: The collection of Charles Cobenzl in Kraznodar
2017
Louise Box: The Duchess of Northumberland’s print albums.
Giulio Dalvit: The Patronage of Vecchietta in Siena.
Gianluca Forgione: The Apostolado of Duca d’Alcalà, Sevill
Krisztina Ilko: Augustinian Friars in Central Italy
Rahel Kulka: The Dukes of Prussia 1525-1618
Anna Seidel: Peretti Montalto sculpture collection and its display (Burlington)
Francesca Stopper: Venetian baroque and rococo goldsmiths.
2016
Scholarship not awarded
2015
Mattia Biffis: Guido Reni’s Hermitage Dispute over the Immaculate Conception
Mikolaj Getka-Kenig: Polish monuments
Zuzana Macurova: Ignaz Chambrez and art theory
Cara Rachele: Early renaissance revival in Florentine neo-classical architecture
Giovanni Russo: The patronage of the Antoniazzo Romano triptych in the Prado (The Burlington Magazine)
Denis Ton: Drawings by Piazzetta
2014
Isabella Collavizza: the 19th century London art market and Venetian paintings
Margaret Dalivalle: Salomon Gautier
Margaret Iacono: Charles Stewart Carstairs
Angelo Lo Conte: The Procaccini Academy (The Burlington Magazine)
Georgios Markou: Art on Cyprus under Venetian rule
Marco Mascolo: Wilhelm Valentiner’s first American years
Tara Prakash: Prisoner statues in Old Kingdom Egypt; the Dinicaopoulos collection
Laura Dickey Corey: Mary Cassatt and the taste for Impressionism in America
2013
Angelamaria Aceto: Giovanni Giacomo de’ Rossi’s Insignium Romae Templorum Prospectus
Giada Damen: Andrea Vendramin’s museum
Galina Mardilovich: Russian printmaking and the West
Agnès Penot-Lejeune: La Maison Goupil in The Hague and London (The Burlington Magazine)
Katherine Reinhart: The visual culture of the Académie Royale des Sciences
Michael Ripps: The letters of Robert Langton Douglas to Wilhelm von Bode
Maria Cristina Terzaghi: Charles I and his court, Gerbier, and the taste for Italian paintings
Tomás Vales: Jakob Matthias Schmutzer
2012
Alessandra Becucci: 17th century military nobility as patrons
Anthony Gerbino: Topographical maps in early modern France
Christina Lindeman: Anna Amalia, Duchess of Weimar
Natalie Lussey: Vavassore and the printed image in 17th century Venice
Rachel Miller: The global iconography of St Francis Xavier
Alison Sherman: The patronage of Pietro Lombardo’s choir screen in the Frari, Venice
Luke Uglow: Crowe and Cavalcaselle on Giorgione
2011
Laura Bolick: The art patronage of Cardinal Bessarion
Gabriele Donati: The sculptor Domenico Fancelli in Spain
Ross Finocchio: Henry Clay Frick: the making of an American Collector
Irene Mariani: The artistic patronage of the Vespucci family (The Burlington Magazine)
Giusi Perniola: The Napoleonic suppression in Turin: the point of view of Paris
Giovanni Santucci: The Talman albums at the Ashmolean Museum, Oxford
2010
Floriana Conte: Collecting of Salvator Rosa between Italy and Great Britain
Silvia Davoli: The collection of Both de Tauzia
Christa Irwin: Influence of Italian Renaissance Art on Colonial Peru
Catherine Jenkins: Fontainebleau Prints (The Burlington Magazine)
Alexey Larionov: Early Netherlandish drawings at the Hermitage
Jesse Locker: Artemisia Gentileschi in Venice
Fernando Loffredo: The collecting history of Giambologna’s Samson and the Philistine
Eleonora Pistis: Designs for the Radcliffe library in Oxford
Minou Schraven: Festival culture of Spanish monarchy
2009
Audrey Adamczak: Nanteuil and Evelyn
Marisa Bass: Patronage of Jean Carondelet
Suzanna Berger: French seventeenth-century thesis prints
Nathan Flis: Francis Barlow’s possible French connections
Antonia Gatward Cevizli: Cultural consequences of Ottoman embassies to Italy
Enrico Lucchese: The Smith and Algarotti albums of Venetian caricatures
Luciana Mocciola: Charles Garnier’s drawings of Angevino tombs in Naples
Chiara Teolato: Roman decorative bronzes in Gustav III of Sweden’s collection
2008
Yasmine Helfer: Guglielmo della Porta tombs and patrons (The Burlington Magazine).
Martin Krummholz: Count Johan Wenzel Gallas in London
Michela Passini: Debates around the ‘Raphael’ sketchbook in Venice.
Catherine Phillips: The Cobenzl collection of drawings
Nat Silver: Pesellino and Herbert Horne
Mickaël Szanto: Art in relations between Rome and Paris under Paul V 1605-21
2007
Anne-Marie Eze: Abate Celotti and his collection of manuscript cuttings.
Francesco Freddolini: Giovanni Baratta, the Duke of Chandos and British Diplomats as agents 1710-23 (The Burlington Magazine)
Ketty Gottardo: The Barberini collection of prints
Alexander Marr: Mutio Oddi and Milanese collections
Susanne Meurer: Critical reception of Durer, Holbein, and Grunewald.
Renata Novak Klemencic: Architectural and artistic exchange between Dubrovnik and Naples in the 15th century
2006
Simone Bertelli: Late 19th-century Anglo-Saxon responses to the Sacro Monte at Varallo
Marta Paloma Cacho Casal: Velázquez’s library and intellectual world (ha, in memory of Enriqueta Frankfort)
Wolfgang Cillessen: David Hess’s Hollandia Regenerata, counter-revolutionary visual journalism and pictorial propaganda
Bianca De Divitiis: Diomede Carafa, a 15th century Neapolitan patron and collector
John Marciari: Francesco Vanni’s drawings
Xavier Salomon: Cardinals’ patronage at the hermitage of Camaldoli around 1600
Elena Sharnova: Sergei Tretyakov’s collection of 19th century French painting
2005
Julia Armstrong-Totten: The picture dealer Michael Bryan
Elisa Camporeale: The Sienese exhibition of the Burlington Fine Arts Club
Anne-Lise Desmas: 18th century sculpture in Rome under Benedict XIII (The Burlington Magazine)
Marika Leino: The collecting of Jacopo Francesco Arpino in Turin
Birke-Siri Scherf: Francesco Bembo and portraits of Bianca Cappello
2004
Naoko Takahatake: The Print Industry in Bologna
Paola D’Agostino: Cosimo Fanzago in Spain (The Burlington Magazine)
Francesca Pitacco: The dispersal of the picture collection of Bartolomeo Vitturi
Giovanna Brambilla: The dispersal of the Guglielmo Lochis collection
Miriam Kirch: The portraits of Ottheinrich of Wittelsbach
2003
Cristiano Giometti: Domenico Guidi in Breslau and Spain
Linda Borean: Sasso, Armano and Abraham Hume
Ippolita di Majo: Padre Resta and southern Italian drawings
Stefano Casu: Cyriacus of Ancona’s drawings
Irina Oryshkevich: The history of the catacombs in Rome (The Burlington Magazine)
2002*
Kristel Smentek: The business, collecting and connoisseurial practices of Pierre-Jean Mariette
Elizabeth Goldring: Elizabethan patronage and collecting, the Sidney/Leicester circle
Martin Olin: The collection of 17th century Roman decorative arts drawings acquired by Nicodemus Tessin
*first year awards given
Francis Haskell Memorial Fund 