2024
Nicole Gasparini: ‘Parisian garden pavilions commissioned or refurbished by women of the court in the late seventeenth and early eighteenth century’
Silvia Papini: ‘Abdallah and the Odalisque (1699). The rediscovery of François Rivière’s once-lost Ottoman drawing’ (The Burlington Magazine)
Esmee Quodbach: ‘A Reconstruction of the Leo Nardus-Arnold van Buuren Collection and Its Fate during and after World War II’
Vladislava Rihova: ‘The art patronage of the pious widow Marie Manrique de Lara’
Harvey Shepherd: ‘Global Connections, Regional Identities: Reexamining The Republic of Mulhouse in the Eighteenth-Century Trade in Printed Indian Cottons, 1680-1798’
Iana Sokolova: ‘The Bodissoni, art dealers: a cosmopolitan family of the eighteenth century between Venice and Europe’
2023
Danijel Cikovic and Iva Jazbec Tomaić: ‘Silk Patronage in the Late Medieval Adriatic’
Caroline McCaffrey-Howarth: ‘Sèvres-Mania: The Craft of Ceramics Connoisseurship’
Chris Platts: ‘Paolo Veneziano’s Life, Paintings, and Patrons’
Philip Muijtjens: ‘The Dominican Nunnery of Santa Lucia, Pistoia’
2022
Vivien Bird: ‘Richard Payne Knight (1751-1824): Antiquary, Collector, Connoisseur’
Amanda Hilliam: ‘A Rediscovered Madonna and Child with Angels by Lorenzo D’Alessandro da Sanseverino’
Elisa Martini: ‘Fillippo Lauri and British Collectors of the 18/19 century’
Lucion Oriani: ‘Library of Alfonso II of Aragon King of Naples’
Eliot Rowlands: ‘Art advisor and connoisseur Harold Woodbury Parsons (1882–1967) and his role in the formation of the European collections at the Cleveland Museum of Art and the Nelson-Atkins Museum of Art in Kansas City’
Natasha Shoory: ‘Women Collecting in 18th century Paris’
2021
Scholarship not awarded
2020
Scholarship not awarded
2019
Paula Fayos-Perez: ‘Goya in French Collections’
Melissa Gustin: ‘Neoclassical sculpture and the encountered antique’
Chiara Lo Giudice: ‘Jacopo Amigoni at the Spanish Court (1747–1752)’
Francesco Lofano: ‘The correspondence and inventories of Francesco de Mura’
Cristina S. Martinez: ‘Jane Hogarth printseller’
Valeria Paruzzo: ‘The market for paintings in Venice during the Austrian occupation (1815–1866)’
Rosie Razzall: ‘Paul Sandby’s collection’
Eleonora Nanà Scianna: ‘The Grandi archive and collection of prints and drawings’
Zdeñka Michalová: ‘Gerhard Jansen’s ‘Baptism of the Eunuch’ in the collection of Karl Eusebius von Lichtenstein’ (The Burlington Magazine)
2018
Natalia Budanova and Natalia Murray: ‘The gallery owners Nadezhda Dobychina and Klavida Mikhailova’
Daniele Galleni: ‘The Coppedè atelier in Georgia’
Belinda Granata: ‘The Peretti Montalto paintings collection in the palazzo di San Lorenzo in Lucina’
Ludovic Jouvet: ‘Collecting portrait medals in 17th and 18th century England’
Erika Loic: ‘The Ripoll and Roha bibles’ (The Burlington Magazine)
Emily Pegues: ‘The tomb of Mary of Burgundy in Bruges’
Catherine Phillips: ‘The collection of Charles Cobenzl in Kraznodar’
2017
Louise Box: ‘The Duchess of Northumberland’s print albums’
Giulio Dalvit: ‘The Patronage of Vecchietta in Siena’
Gianluca Forgione: ‘The Apostolado of Duca d’Alcalà, Sevill’
Krisztina Ilko: ‘Augustinian Friars in Central Italy’
Rahel Kulka: ‘The Dukes of Prussia 1525-1618’
Anna Seidel: ‘Peretti Montalto sculpture collection and its display’ (The Burlington Magazine)
Francesca Stopper: ‘Venetian baroque and rococo goldsmiths’
2016
Scholarship not awarded
2015
Mattia Biffis: ‘Guido Reni’s Hermitage Dispute over the Immaculate Conception’
Mikolaj Getka-Kenig: ‘Polish monuments’
Zuzana Macurova: ‘Ignaz Chambrez and art theory’
Cara Rachele: ‘Early renaissance revival in Florentine neo-classical architecture’
Giovanni Russo: ‘The patronage of the Antoniazzo Romano triptych in the Prado’ (The Burlington Magazine)
Denis Ton: ‘Drawings by Piazzetta’
2014
Isabella Collavizza: ‘the 19th century London art market and Venetian paintings’
Margaret Dalivalle: ‘Salomon Gautier’
Margaret Iacono: ‘Charles Stewart Carstairs’
Angelo Lo Conte: ‘The Procaccini Academy’ (The Burlington Magazine)
Georgios Markou: ‘Art on Cyprus under Venetian rule’
Marco Mascolo: ‘Wilhelm Valentiner’s first American years’
Tara Prakash: ‘Prisoner statues in Old Kingdom Egypt; the Dinicaopoulos collection’
Laura Dickey Corey: ‘Mary Cassatt and the taste for Impressionism in America’
2013
Angelamaria Aceto: ‘Giovanni Giacomo de’ Rossi’s Insignium Romae Templorum Prospectus’
Giada Damen: ‘Andrea Vendramin’s museum’
Galina Mardilovich: ‘Russian printmaking and the West’
Agnès Penot-Lejeune: ‘La Maison Goupil in The Hague and London’ (The Burlington Magazine)
Katherine Reinhart: ‘The visual culture of the Académie Royale des Sciences’
Michael Ripps: ‘The letters of Robert Langton Douglas to Wilhelm von Bode’
Maria Cristina Terzaghi: ‘Charles I and his court, Gerbier, and the taste for Italian paintings’
Tomás Vales: ‘Jakob Matthias Schmutzer’
2012
Alessandra Becucci: ’17th century military nobility as patrons’
Anthony Gerbino: ‘Topographical maps in early modern France’
Christina Lindeman: ‘Anna Amalia, Duchess of Weimar’
Natalie Lussey: ‘Vavassore and the printed image in 17th century Venice’
Rachel Miller: ‘The global iconography of St Francis Xavier’
Alison Sherman: ‘The patronage of Pietro Lombardo’s choir screen in the Frari, Venice’
Luke Uglow: ‘Crowe and Cavalcaselle on Giorgione’
2011
Laura Bolick: ‘The art patronage of Cardinal Bessarion’
Gabriele Donati: ‘The sculptor Domenico Fancelli in Spain’
Ross Finocchio: ‘Henry Clay Frick: the making of an American Collector’
Jean-Francois Luneau: ‘ Art et industrie au XIXe siècle : L’Exposition universelle de Londres (1851) et le rapport Laborde’
Irene Mariani: ‘The artistic patronage of the Vespucci family’ (The Burlington Magazine)
Giusi Perniola: ‘The Napoleonic suppression in Turin: the point of view of Paris’
Giovanni Santucci: ‘The Talman albums at the Ashmolean Museum, Oxford’
2010
Floriana Conte: ‘Collecting of Salvator Rosa between Italy and Great Britain’
Silvia Davoli: ‘The collection of Both de Tauzia’
Christa Irwin: ‘Influence of Italian Renaissance Art on Colonial Peru’
Catherine Jenkins: ‘Fontainebleau Prints’ (The Burlington Magazine)
Alexey Larionov: ‘Early Netherlandish drawings at the Hermitage’
Jesse Locker: ‘Artemisia Gentileschi in Venice’
Fernando Loffredo: ‘The collecting history of Giambologna’s Samson and the Philistine’
Eleonora Pistis: ‘Designs for the Radcliffe library in Oxford’
Minou Schraven: ‘Festival culture of Spanish monarchy’
2009
Audrey Adamczak: ‘Nanteuil and Evelyn’
Marisa Bass: ‘Patronage of Jean Carondelet’
Suzanna Berger: ‘French seventeenth-century thesis prints’
Nathan Flis: ‘Francis Barlow’s possible French connections’
Antonia Gatward Cevizli: ‘Cultural consequences of Ottoman embassies to Italy’
Enrico Lucchese: ‘The Smith and Algarotti albums of Venetian caricatures’
Luciana Mocciola: ‘Charles Garnier’s drawings of Angevino tombs in Naples’
Chiara Teolato: ‘Roman decorative bronzes in Gustav III of Sweden’s collection’
2008
Yasmine Helfer: ‘Guglielmo della Porta tombs and patrons’ (The Burlington Magazine).
Martin Krummholz: ‘Count Johan Wenzel Gallas in London’
Michela Passini: ‘Debates around the ‘Raphael’ sketchbook in Venice’
Catherine Phillips: ‘The Cobenzl collection of drawings’
Nat Silver: ‘Pesellino and Herbert Horne’
Mickaël Szanto: ‘Art in relations between Rome and Paris under Paul V 1605-21’
2007
Anne-Marie Eze: ‘Abate Celotti and his collection of manuscript cuttings’
Francesco Freddolini: ‘Giovanni Baratta, the Duke of Chandos and British Diplomats as agents 1710-23’ (The Burlington Magazine)
Ketty Gottardo: ‘The Barberini collection of prints’
Alexander Marr: ‘Mutio Oddi and Milanese collections’
Susanne Meurer: ‘Critical reception of Durer, Holbein, and Grunewald’
Renata Novak Klemencic: ‘Architectural and artistic exchange between Dubrovnik and Naples in the 15th century’
2006
Simone Bertelli: ‘Late 19th-century Anglo-Saxon responses to the Sacro Monte at Varallo’
Marta Paloma Cacho Casal: ‘Velázquez’s library and intellectual world (in memory of Enriqueta Frankfort)’
Wolfgang Cillessen: ‘David Hess’s Hollandia Regenerata, counter-revolutionary visual journalism and pictorial propaganda’
Bianca De Divitiis: ‘Diomede Carafa, a 15th century Neapolitan patron and collector’
John Marciari: ‘Francesco Vanni’s drawings’
Xavier Salomon: ‘Cardinals’ patronage at the hermitage of Camaldoli around 1600’
Elena Sharnova: ‘Sergei Tretyakov’s collection of 19th century French painting’
2005
Julia Armstrong-Totten: ‘The picture dealer Michael Bryan’
Elisa Camporeale: ‘The Sienese exhibition of the Burlington Fine Arts Club’
Anne-Lise Desmas: ’18th century sculpture in Rome under Benedict XIII’ (The Burlington Magazine)
Marika Leino: ‘The collecting of Jacopo Francesco Arpino in Turin’
Birke-Siri Scherf: ‘Francesco Bembo and portraits of Bianca Cappello’
2004
Naoko Takahatake: ‘The Print Industry in Bologna’
Paola D’Agostino: ‘Cosimo Fanzago in Spain’ (The Burlington Magazine)
Francesca Pitacco: ‘The dispersal of the picture collection of Bartolomeo Vitturi’
Giovanna Brambilla: ‘The dispersal of the Guglielmo Lochis collection’
Miriam Kirch: ‘The portraits of Ottheinrich of Wittelsbach’
2003
Cristiano Giometti: ‘Domenico Guidi in Breslau and Spain’
Linda Borean: ‘Sasso, Armano and Abraham Hume’
Ippolita di Majo: ‘Padre Resta and southern Italian drawings’
Stefano Casu: ‘Cyriacus of Ancona’s drawings’
Irina Oryshkevich: ‘The history of the catacombs in Rome’ (The Burlington Magazine)
2002*
Kristel Smentek: ‘The business, collecting and connoisseurial practices of Pierre-Jean Mariette’
Elizabeth Goldring: ‘Elizabethan patronage and collecting, the Sidney/Leicester circle’
Martin Olin: ‘The collection of 17th century Roman decorative arts drawings acquired by Nicodemus Tessin’
*first year awards given
Francis Haskell Memorial Fund 